CONTACT: WOODY [at] AlliedPost [dot] com
AUDIO POST PRODUCTION
Woody Woodhall, CAS is Studio Principal of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and re-recording mixer. He has sound supervised and mixed feature films and documentaries and for television he’s recorded VO’s, sound edited and mixed hundreds of episodes of programming that has been broadcast or streamed on Netflix, Amazon Studios, YouTube Red, Vice, MTV, The CW, Comedy Central, Food Network, Freeform, Nat Geo, History, USA Network and VH-1 to name a few.
Recent television mixing includes the CNN Film’s presentation, “No Ordinary Life“, the first season of the series “Wasteland“ for Paramount+, “Cal Fire” for Discovery Network, three seasons of “Ozzy & Jack’s World Detour” for A&E, and the first season of “Dopesick Nation” for Viceland. Recent feature mixing includes the film release, “The Greatest Inheritance” starring Mena Suvari and Jaleel White, as well as the award-winning feature documentary about the electronic music superstar, “Moby Doc.”
FILMMAKER
A filmmaker as well as a sound professional, he is a producer of the acclaimed feature length documentary “Joe Frank – Somewhere Out There” as well as the film “Silent Radio” which won Best Foreign Film – USA at the European Independent Film Festival. He has directed and produced the award winning pilot, “Contact High”, a project that he also wrote. Other directing projects include “Protocol”, an award winning science fiction short film and a short documentary which he also edited, “Why Do I Exist?”, that won best picture editing in the experimental category at the 2009 Los Angeles Reel Film Festival.
EDUCATOR
Author of the college textbook, Audio Production and Post Production, Woody’s book is used at universities across the world. He teaches his class “Post Production Sound for Film and TV” at UCLA Extension. He is a contributing blogger to ProVideo Coalition on audio matters under his channel Sound For Picture. As a guest lecturer on audio post practices and techniques he has presented for the Producers Guild of America (PGA), Filmmakers Alliance, Savannah College of Art and Design, Loyola Marymount College (LMU), Musicians Institute, and Doculink.
INDUSTRY ASSOCIATIONS
Woody also heads the Los Angeles Post Production Group (LAPPG), now in its 15th year with over 200 events produced, a thriving YouTube community, and a membership of over 5,000, where he shares his filmmaking expertise alongside other working professionals and industry leaders on a monthly basis for the LA post production community.
A member of IATSE Local 700, re-recording mixer member of the Cinema Audio Society, (CAS) and a member of the Audio Engineering Society (AES), Woody is dedicated to using all of his resources to advocate for post-production and particularly supporting the sound industry, the artists who work in it, and the knowledge that can be shared with others.
Woody with Peabody Winner, spoken word icon Joe Frank
SOUND FOR AWARD WINNING DOCUMENTARY PROJECTS
A longtime supporter and advocate for independent filmmaking projects and documentaries, many of the projects that Woody has designed and mixed sound for are award winners as well:
Plan C– Supervising Sound Editor/Sound Designer/ Re-recording Mixer
From the Hood to the Holler– Supervising Sound Editor/Sound Designer/ Re-recording Mixer
Bella– Supervising Sound Editor/Sound Designer/ Re-recording Mixer
Moby Doc– Supervising Sound Editor/Sound Designer/ Re-recording Mixer
No Ordinary Life – Supervising Sound Editor/Sound Designer/ Re-recording Mixer
Welcome To Pine Lake – Supervising Sound Editor/Sound Designer/ Re-recording Mixer
American Relapse – Supervising Sound Editor/Sound Designer/ Re-recording Mixer *Winner – Best Documentary – Rhode Island International Film Festival
Baby Brother – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – *Premiered at Sundance Film Festival, NY Times Featured Documentary
After Auschwitz – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – -*Winner – Best Documentary – Mammoth Film Festival Winner – Best Documentary – Long Beach International Film Festival, Winner – Best Documentary – Los Angeles Women’s Film Festival
Best Worst Movie – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – Winner – Audience Award – Hot Docs, Roger Ebert’s Top 10 List for Documentaries 2010
The Deported– Supervising Sound Editor/Sound Designer/ Re-recording Mixer – YouTube Red, YouTube Studios *Winner 2019 Flickers’ International Humanitarian Award
11/8/16 – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – *Critics’ Choice Documentary Awards 2017
Hitchhiking to the Edge of Sanity – Supervising Sound Editor/Sound Designer/ Re-recording Mixer- Emmy Award Winner
A Life Ascending – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – *Winner – Best Documentary – DocuWest International Film Festival
Next Year Country – Supervising Sound Editor/Sound Designer/ Re-recording Mixer – *Winner – Best Documentary – DocuWest International Film Festival