Credits

 Woody Woodhall, CAS

Woodhall IMDB
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SELECTED CREDITS: FEATURES AND DOCUMENTARIES

Moby Doc – Sound Designer/Supervising Sound Editor/Mixer

No Ordinary Life  – Sound Designer/Supervising Sound Editor/Mixer

The Greatest Inheritance  – Sound Designer/Supervising Sound Editor/Mixer

Switched – Sound Designer/Supervising Sound Editor/Mixer

Welcome To Pine Lake – Sound Designer/Supervising Sound Editor/Mixer

American Relapse – Sound Designer/Supervising Sound Editor/Mixer

The Deported – Sound Designer/Supervising Sound Editor/Mixer

11/8/16 – Sound Designer/Supervising Sound Editor/Mixer

After Auschwitz – Sound Designer/Supervising Sound Editor/Mixer

Wish for Christmas – Sound Designer/Supervising Sound Editor/Mixer

Tell Me How I Die – Supervising Sound Editor/Mixer

Dinner With the Alchemist – Sound Designer/Supervising Sound Editor/Mixer

Hitchhiking to The Edge of Sanity – Supervising Sound Editor/Mixer

Best Worst Movie – Sound Designer/Supervising Sound Editor/Mixer

* Winner Sound/Sound Design 2011 Telly Award,

* Winner Audience Award – Hot Docs,

* Roger Ebert’s Top 10 Docs

A Life Ascending – Sound Designer/Supervising Sound Editor/Mixer-

**Winner Best Documentary – DocuWest

Next Year Country – Sound Designer/Supervising Sound Editor/Mixer

**Winner Best Documentary – DocuWest

Team Taliban – Sound Designer/Supervising Sound Editor/Mixer

**Winner Best Documentary – Rhode Island FF

Fat Head – Sound Designer/Supervising Sound Editor/Mixer

Box Elder – Sound Designer/Supervising Sound Editor/Mixer

Flying Pumpkins: The Legend of Punkin Chunkin – Sound Designer/Mixer

The Least of These – Sound Designer/Supervising Sound Editor/Mixer

Teenage Dirtbag – Sound Designer/Supervising Sound Editor/Mixer

Seeds – Sound Designer/Mixer

**AFI/Discovery Channel SilverDocs Festival – Opening Night Selection

TELEVISION

DISCOVERY – Cal Fire  (6 X 60) Supervising Sound Editor/Mixer

A&E – Ozzy & Jack’s World Detour (26 X 60) Supervising Sound Editor/Mixer

** Winner Sound/Sound Design 2017 Telly Award

VICELAND – Dopesick Nation (10 X 60) Supervising Sound Editor/Mixer

DISNEY – Decorating Disney (2 X 60) Supervising Sound Editor/Mixer

** Winner Sound/Sound Design 2018 Telly Award

DISNEY – Disney’s Fairy Tale Weddings (6 X 60) Supervising Sound Editor/Mixer

E! Network – Very Cavallari (8 X 60) Supervising Sound Editor/Mixer

POP – Return of the Mac (8 X 30) Supervising Sound Editor/Mixer

MTV – House of Food (12 X 60) Supervising Sound Editor/Mixerr

** Winner Sound/Sound Design 2015 Telly Award

PBS -The Cat in the Hat Knows A Lot About That! (26 episodes)

— VO recordist – Martin Short (The Cat)

HISTORY CHANNEL – Thingamabob (10 X 30) Supervising Sound Editor/Mixer

HISTORY CHANNEL – Invention USA (12 X 30) Supervising Sound Editor/Mixer

BET – Ink, Paper, Scissors (8 X 60) Supervising Sound Editor/Mixer

FOOD NETWORK- Mystery Diners (140 X 30) Supervising Sound Editor/Mixer

FOOD NETWORK -Private Chefs of Beverly Hills (14 X 60) Supervising Sound Editor/Mixer

** Winner Sound/Sound Design 2011 Telly Award

FOOD NETWORK –Nickel and Dining (Pilot) Supv. Supervising Sound Editor/Mixer

FOOD NETWORK -Diners, Drive-Ins and Dives (4 episodes) VO recordist

WB – Wicked Offer (8 X 60) Supervising Sound Editor/Mixer

SYFY- My Big Fat Geek Wedding (Special) Supervising Sound Editor/Mixer

NAT GEO – Church Rescue (6 X 60) Supervising Sound Editor/Mixer

ANIMAL PLANET – Alaskan Gold Diggers (6 X 60) Supervising Sound Editor/Mixer

** Winner Sound/Sound Design 2014 Telly Award

TLC -The Battle of the Wedding Designers (4 X 60) Supervising Sound Editor/Mixer

TLC –Help What’s Killing Me? (2 hour special) Supervising Sound Editor/Mixer

TRU TV -Storage Hunters (61 X 30) Supervising Sound Editor/Mixer

TRU TV -Swamp Hunters (6 X 30) Supervising Sound Editor/Mixer

TRU TV -Container Wars (21 X 30) Supervising Sound Editor/Mixer

OXYGEN – Love Scouts (Pilot) Supervising Sound Editor/Mixer

OXYGEN – Celebrities Undercover (7 X 30) Supervising Sound Editor/Mixer

COMEDY CENTRAL -The Daily Show with Jon Stewart (13 episodes) VO recordist

PLAYBOY NETWORK -Playboy’s Monthly Playmate Profile Video (33 X 30)

–Supervising Sound Editor/Mixer

FUSE TV – American Misfits (1 X 30) Sound Designer

FUSE TV – Popped (8 X 30) Supervising Sound Editor/Mixer

ESPN -The Battle (6 episodes) VO recordist

E! -The New A-List Hollywood (Special 1 hour) Supervising Sound Editor/Mixer

E! -The New A-List Europe (Special 1 hour) Supervising Sound Editor/Mixer

SPEED TV -Test Drive with Tommy Kendall (20 episodes) VO recordist

TRAVEL CHANNEL -Treasure Hunter with Kirsten Gum (6 episodes) VO recordist

TRAVEL CHANNEL -Travel Daily News (75 x 60) Supervising Sound Editor/Mixer

TRAVEL CHANNEL -Getaway USA, Amazing Destinations (200+ X 30)

— Supervising Sound Editor/Mixer

USA  -Ready for the Weekend Movie (90 episodes) Supervising Sound Editor/Mixer

USA  -Before And After’noon Movie (60 episodes) Supervising Sound Editor/Mixer

VH1 -All Access Spotlight: Joey McIntyre Supervising Sound Editor/Mixer

SOAPNET -Soapography (30 X 30) Supervising Sound Editor/Mixer

LIFETIME -Lying to Be Perfect (MOW) ADR edit and record

GSN -Extreme Gong (160 episodes) Supervising Sound Editor/Mixer

GSN -Kid’s Zone (100 episodes) Supervising Sound Editor/Mixer

GSN -Gameworld (120 episodes) Supervising Sound Editor/Mixer

GSN -Game TV (120 episodes) Supervising Sound Editor/Mixer

GSN -Faux Pause (40 episodes) Supervising Sound Editor/Mixer

GSN -Super Decades (100 episodes) Supervising Sound Editor/Mixer

GSN -Trivia Track (100 episodes) Supervising Sound Editor/Mixer

PROMARK ENT -Ocean Ave. (10 episodes) FX editor

MISCELLANEOUS

JIB JAB -Second Term (Internet) VO Recordist

**Winner, Allied Post Audio, Best of Industry – Audio Services – The Create Awards

JIB JAB -It’s Good To Be In D C (Internet)

Dennys All Nighter (6 TV commercial and webisodes)

* Winner Sound/Sound Design 2010 Telly Award

AFFILIATIONS

Motion Picture Editors Guild, Local 700, Re-recording mixer

Member – Cinema Audio Society (CAS)

Member – Audio Engineering Society (AES)

ADDITIONAL EXPERIENCE

FOUNDER, The Los Angeles Post Production Group, a monthly user group for post  professionals – www.LAPPG.com

AUTHOR “Audio Production and Post Production” J&B Learning Publishers © 2011 – a

textbook used at the graduate college level for audio instruction in US Universities

AUDIO BLOGGER

PVC – Sound For Picture

www.WoodysSoundAdvice.com

INDUSTRY AWARDS

2021 Best Director at the Seattle Film Festival for “Contact High”

2021 Telly Award for Award for Sound Design and Mixing for Discovery Network’s “Cal Fire: A Devil Comin’ At You”

2019 Telly Award for Award for Sound Design and Mixing for Vice Channel’s “Dopesick Nation: Death Rattle”

2018 Telly Award for Award for Sound Design and Mixing for Disney Channel’s “Decorating Disney: Holiday Magic”

2017 Telly Award for Award for Sound Design and Mixing for A&E’s “Ozzy & Jack’s World Detour: Cuba or Bust”

2016 Telly Award for Award for Sound Design and Mixing for History Channel’s “Museum Men: Evel Knievel”

2015 Telly Award for Award for Sound Design and Mixing for MTV’s “House of Food”

2014 Telly Award for Award for Sound Design and Mixing for Nat Geo’s “Alaska Gold Diggers”

2012 Telly Award for Award for Sound Design and Mixing for Intel’s “The Sartorialist”

2011 Telly Award for Award for Sound Design and Mixing for “Best Worst Movie”

2011 Telly Award for Award for Sound Design and Mixing for Food Network’s “Private Chefs of Beverly Hills”

2010 Best Foreign Film as well as Best Cinematography at the European Independent Film Festival for “Silent Radio” a film which he produced, sound designed, and mixed, and produced and mixed the musical score.

2010 Telly Award for Award for Sound Design and Mixing for a national commercial for “Dennys Allnighter“

2009 Los Angeles Reel Film Festival – Best Picture Editing – Experimental – for the editing of the documentary short “Why Do I Exist?”

2008 Communicator Award for Sound Design and Mixing for E!’s “The New A-List Hollywood”

2006 Create’s “Best of Industry Award – Audio Services” for his recording work on JibJab’s “Second Term”